The Premiere

  • Festival Pass

    $90

  • Weekend Pass

    $50

  • Day Pass

    $25

  • Single Showing

    $10

Full Festival Pass Access to every in-person showing
$90 x
Weekend 1 Pass - CLC Grayslake Access to all showings at CLC Grayslake during Weekend 1 including The Premiere (Nov 3 at 11:50 am - College of Lake County - Grayslake Campus :: Room D100)
$50 x
Day Pass Nov 3 - CLC Grayslake Access to all showings on Nov 3 at CLC Grayslake including The Premiere (Nov 3 at 11:50 am - College of Lake County - Grayslake Campus :: Room D100)
$25 x
The Premiere :: Nov 1 - CLC Grayslake The Premiere at CLC Grayslake on Nov 1 (Nov 1 at 08:30 pm - College of Lake County - Grayslake Campus :: Room A011)
$10 x
The Premiere :: Nov 3 - CLC Grayslake The Premiere at CLC Grayslake on Nov 3 (Nov 3 at 11:50 am - College of Lake County - Grayslake Campus :: Room D100)
$10 x

Narrative Feature

USA, 81 Minutes
Director Jon Silver
Producers Jenny Argyle Hogan, Alex Marshall, Kyle Nilges, David Silver, Stan Wozniak
Screenwriter Jon Silver
Executive Producer Grant Troyer and Zack Fishman
Editor Jon Gollner
Cinematographer Michael Fernandez
Music By All Original
Composer Tony Scott-Green
Cast Grant Kennedy Lewis, Adam Schreck, Greg Hollimon, Rick Hall, and Natalie West

Jacob is a young filmmaker at his first big movie premiere, but the event is in doubt due to technical issues and phantom appearances on the screen. The expectations are high and the pressure to be successful is mounting as the tension is growing with every complaint and problem to solve.

Everything that could go wrong does go wrong. In the 90 minutes leading up to the premiere, his family shows up too early, his divorced parents bicker, the cast complains about their screen time, the projectionist can’t get the files to play and the only press that comes is watching every embarrassing moment. All of these nuisances are exacerbated by the rumored arrival of a famous Actor.

Annoying audience members and paranoid visions keep Jacob stressed and hurried. Jacob must overcome doubts, coordinate with the venue and projectionist, all while fending off criticisms, expectations, and disturbing figments of his imagination.